Beatriz Pessoa releases the music video “A PIQUE, C’EST CHIC”
Beatriz Pessoa, singer and songwriter from Lisbon, released a new video for her latest single “A Pique, C’est Chique”, released last Friday along with “Pó de Palco”.
After the artist released the double single “Pó de Palco” and “A Pique, C’est Chique” last week and unveiled the video for the first song, now it’s time for the second single to get a video.
Also directed by Daniel Mota and Maria Bicker, the new music video stars Beatriz Pessoa and seeks out several visual references from the 1970s, as well as the song itself in its lyrics and sound.
The artist will soon embark on a club tour around the country, Beatriz Pessoa’s return to the stage and the warm-up for what will be the tour to present the new album to be released in 2026.
Intimate and close shows at clubs and festivals, this tour passes through Lisbon at BOTA, in Torres Vedas at Bang Venue, in Ílhavo at Festival Rádio Faneca and in Porto at Maus Hábitos. Tickets are now available. More information here.
About the double single:
“Pó de Palco” was born from the dichotomy of the artist wanting to stop her career, but finding an enormous desire to compose a song about it. In his words, “This song was born from a place of disillusionment with the music world and my career. I felt like giving up writing songs or, at least, throwing them into the world’s clutches. Ironically, I felt that the only way I had to get out of this mental loop and find some kind of horizon would be to sit down and compose. And here is this “Pó” from a stage that I can’t and don’t think I want to leave. A song that reflects a little bit of this whole world of contradictions where the best thing is really ‘Singing so I don’t cry!’”.
The single “A Pique, C’est Chique” took shape from a chorus “kept in the drawer” of a song that Beatriz Pessoa had written for a fado singer and which ended up not being released. “The chorus stuck in my brain and during the process for this next album, I couldn’t help but resurrect it. Together with Gus, we gave it this chaotic look that went from references like Brigitte Bardot and Françoise Hardy to Footloose and 70s disco. The lyrics sought out the irreverence and a kind of weariness associated with what I see on TV and the news. If we’re all going to fall apart, at least let’s be trés trés chic.”
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