Events

Art Stories – Theater

by Carlos Avilez, Paulo Filipe Monteiro and Nuno Cardoso

CCB | Jan 28, Feb 11, 18, and 25 | Saturdays | 17h00 | Meeting Center

In this cycle of conferences, the intention is to address the history and stories of the performing arts, through a closer and more experienced look at the different areas to be addressed. In these sessions, actors/directors Carlos Avilez, Paulo Filipe Monteiro, and Nuno Cardoso will tell their stories from the history of theatre.

Program
January 28 – The pro-dramatic Theater – Paulo Filipe Monteiro

Who today wants to be dramatic? At a time when drama is not very well regarded, it is important not to let fundamental works and trends in contemporary theater and dance be silenced. We will try to understand the proposals of «pro-dramatic» authors such as Pina Bausch, Peeping Tom, Alain Platel, or Angélica Liddell. What relationship is with space, time, music, sound, light, words, and with the body? What language do they speak, if they have a common language? Or is it a language with multiple languages?

Images (still and moving) will be displayed, some of them unpublished.

February 11 – Chatting with… Carlos Avilez

In this session of the Estórias da Arte – Teatro cycle, Paula Magalhães will talk to Carlos Avilez who will tell us countless stories from his already long career as a director.

18 February – The direction of actors in various directions – Paulo Filipe Monteiro

Directing actors is an art. It has no formulas. But there are methods, possible paths. Let’s revisit some proposals that are currently on the table, on the stage, or on the movie set.

Those with experience, and those who love actors and love directing them, know first of all that the way to reach one actor is not the way to reach another; and that, therefore, a large reserve of resources is essential.

We will see some examples from Portugal, from other European, North and South American countries and from Japan.

February 25 – ACHADIÇO (monologue) – Nuno Cardoso

An improvised space-time that also doesn’t fit into the frame of a play or a class.
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