This project started from the simple idea of combining lyrical singing with pop-rock music, inspired by the famous duet between Freddy Mercury and Montserrat Caballé. In this way, he created “wings” for a project with a more comprehensive reach, both musically and in the messages that are transmitted. It is the junction of two different musical worlds, Opera and Pop Rock, in a unique and innovative interaction, with video mapping projections, transforming into an authentic world apart with flights of Dragons and wings of Angels.
The beginning of the show is like a warning of arrival in this world Crossover by Yolanda Soares and Bruno Correia. This event was done in a poetic and ethereal way that unfolds in a crescendo of vocal, musical and expressive intensity (both in the voices and in the projected images). Each theme changes from the previous one and there is a kind of gliding in the open sky, with space for classical music (an example of this is the interpretation of the themes “Nessun Dorma” or “Ave Maria”), as well as for other genres such as Fado , symphonic rock, pop music, Broadway, etc.
Everything comes together because the voices come together perfectly. We are facing two distinct and unique singers in their approaches. They complement each other and create real moments of great emotional intensity. In a very well-cared production: the excellence of sound, lighting and image, results in a brilliant concert, which goes far beyond music, voice and image. The messages they convey inspired the audience to feel this “world” where the difference is strength and unity. The crossing of boundaries in search of freedom.
Andrea Bocelli, Sarah Brightman, Pavarotti, Lara Fabian, Placido Domingo, Dulce Pontes, Amália, Montserrat Caballé, Freddy Mercury, Robbie Williams, Evanescence, etc. Phantom of the Opera, Evita, Les Miserables, Turandot, The Greatest Showman and more.
After successive postponements due to the pandemic situation, this show will return in the month of May bringing the surprise of integrating an approach to Zeca Afonso in interpretations that wander between the lyrical and pop.
